《绣襦记》六十种曲本与朱墨套印本的比较研究  

A Comparative Study of Xiuruji Between Sixty Operas and Version Printed Red and Black

作　　者：苏秋婷 Su Qiuting

机构地区：[1]闽南师范大学闽南文化研究院,福建漳州363000

出　　处：《闽台文化研究》2020年第2期61-66,共6页Fujian-Taiwan Cultural Research

摘　　要：《绣襦记》是一部形成于明中叶的传奇作品,流传甚广,传到地方后被地方戏曲吸收,如梨园戏《李亚仙》借鉴了《绣襦记》的重点情节,搬演舞台,成为梨园名剧。《绣襦记》的刊刻版本众多,其中六十种曲本和朱墨套印本差别较大,可研究的内容较多。两个版本的差异主要集中在结构和内容上。从结构方面看,朱墨套印本多了改编底本和版画插图,结构较为完备。从曲本内容上看,朱墨套印本版画精美成熟;曲本专业术语(科介)使用规范;附有批语解析情节及人物形象;正文文本完整没有脱漏。从结构和内容两个角度来比较,朱墨本的观赏性和研究价值更高。Xiuruji,a legendary work completed in the middle of the Ming Dynasty,is widely spread and absorbed by local operas.The famous Liyuan opera Li Yaxian,for example,borrowed its key plots and stage performance.There are many editions of Xiuruji,among them great difference existing between the two versions Sixty Operas and Version Printed Red and Black,which offers much for research.The differences mainly focus on the structure and content.From the perspective of structure,there are more adaptations and illustrations in Version Printed Red and Black,and the structure is relatively complete.From the content,Version Printed Red and Black is exquisite and mature;the use of professional terms standardized;comments provided to analyze the plot and characters;the text complete without omission.From the structure and content,the aesthetic and research value of Version Printed Red and Black are higher.

关 键 词：朱墨套印本 六十种曲本 版式 结构 内容 

分 类 号：G256[文化科学—图书馆学] I207.37[文学—中国文学]