弈光庄之蝶,海若陆菊人?——贾平凹《暂坐》《废都》《山本》对读记  

Yi Guang and Zhuang Zhidie,Hai Ruo and Lu Juren:A Comparative Reading of Jia Pingwa’s Zan Zuo,Ruined City and Shanben

作　　者：郜元宝[1] GAO Yuan-bao(Chinese Department, Fudan University, Shanghai 200433,China)

机构地区：[1]复旦大学中文系,上海200433

出　　处：《西北大学学报（哲学社会科学版）》2020年第5期7-13,共7页Journal of Northwest University：Philosophy and Social Sciences Edition

摘　　要：贾平凹新作《暂坐》与以往两部长篇《废都》《山本》具有多重互文关系。《废都》中的庄之蝶变身为《暂坐》中的羿光,喻示男性主导的文化界由启蒙时代的忧郁颓废自恋转入后启蒙时代的谦卑务实淡定,女性欲念则表现出《废都》依赖男性、《山本》掌控男性到《暂坐》摆脱男性三种不同形态,由此呈明近三十年历史剧变中精英大众社会地位与精神姿态的此消彼长。Zan Zuo,Jiapingwa’s recent creation,is closely related to Ruined City in text.Zhuang Zhidie in Ruined City has become Yi Guang in Zan Zuo,which implies that the male-dominated cultural circle has turned from depression,despiritedness and narcissism of the Enlightenment Age to humbleness,practicality and calmness of the post-Enlightenment Age.The female desires have been manifested in three forms including dependence on males in Ruined City,domination of males in Shanben and the breaking away from males in Zan Zuo.Thus,they have displayed the ups and downs of the social position of the elite mass and spirit posture in the recent thirty years of history.

关 键 词：贾平凹 《暂坐》 互文关系 精英大众 男女两性 

分 类 号：I206.7[文学—中国文学]