略论民间纸马中女性形象的母题与图式  

On the Motif and Schema of Female Image in Folk Paper Horse

作　　者：万惠玲[1] WAN Hui-ling(School of Art and Design,Bengbu University,Bengbu,233030,Anhui)

机构地区：[1]蚌埠学院艺术设计学院,安徽蚌埠233030

出　　处：《蚌埠学院学报》2020年第4期1-5,共5页Journal of Bengbu University

基　　金：安徽省哲学社会科学规划项目(AHSKY2018D82);安徽省社会科学创新发展研究项目(2018CX087);高校优秀中青年骨干国内外访学重点项目(gxfxZD2016278);国家级大学生创新创业项目(201911305025)。

摘　　要：从宋代以来的民间纸马遗存可以看出女性形象是纸马造神的重要主题之一,选取宋代以来民间纸马中的女性形象为研究视角,通过对其母题的分析,认为“生育繁衍”“纳祥求美”是民间纸马中女性形象表达的两大核心母题。在母题表现的构图中又呈现出独神、双神、众神等多元化、布局饱满的图式。一方面体现民间纸马手艺人的创作智慧,另一方面也折射出人们对“真、善、美”的情感共鸣以及对现实理想生活的美好构境。同时,民间纸马中的女性图像也展现出实用性与功利性之外的艺术魅力。Through the remains of folk paper horses since Song Dynasty,it can find that the women’s image is one of the important themes of paper horse God making.From the perspective of the female image in the folk paper horse since Song Dynasty,through the analysis of its auspicious motif,it considered in this paper that“reproduction”and“embracing auspiciousness and seeking beauty”are the two core motifs of female image expression in the folk paper horse.In the composition of the motif,there are diversified and full layout of single God,double gods and gods.It reflects the creative wisdom of folk paper horse artists,on the other hand,it also reflects people’s emotional resonance of“truth,goodness and beauty”and the beautiful structure of real ideal life.At the same time,the female images in the folk paper horse also show the artistic charm beyond practicability and utility.

关 键 词：民间纸马 女性形象 母题 图式 

分 类 号：J205[艺术—美术] K879[历史地理—考古学及博物馆学]