试析南朝陵寝制度的两大取向  

Two Orientations of the Mausoleum System in the Southern Dynasties

作　　者：付龙腾 FU Long-teng(School of Archaeology and Museology,Peking University,Beijing,100871)

机构地区：[1]北京大学考古文博学院,北京100871

出　　处：《东南文化》2020年第4期118-125,共8页Southeast Culture

基　　金：国家社科基金重大项目“多卷本《中国古代陵寝制度史》”(17ZDA216)阶段性成果。

摘　　要：南朝陵寝制度建设大致有师古与任己两大取向,这于不同方面均有表现。陵墓石刻方面,有明暗两条线索表明其对汉晋文明进行了延袭,同时也以之为基础进行改造。墓葬形制与随葬品方面,从前朝制度获取灵感,并依丧葬观念的改变做出调整。壁画装饰方面,在特殊政治文化背景下于南朝初形成了"竹林七贤与荣启期"拼镶壁画,却因时代的发展而于南朝末衰落并最终被陵寝制度体系所扬弃。The development of the mausoleum system in the Southern Dynasties presented two orientations,namely learning from the past and self-development,as seen in a series of aspects.In terms of stone carvings,the mausoleum of the Southern Dynasties followed the tradition of the Han and Jin dynasties and made further transformation based on it,as indicated by two threads of evidence,one visible and the other invisible.With regard to tomb structure and funeral objects,the Southern Dynasties mausoleums were inspired by previous dynasties and made adjustment in accordance with the changes in the concept of funerals.Concerning the mural decoration,the brick murals of"Seven Sages of the Bamboo Grove and Rong Qiqi",which emerged in the early of the Southern Dynasties out of the special political and cultural environment of the time,declined in the late of the Southern Dynasties with the development of times,and was eventually sublated by the mausoleum system.

关 键 词：南朝 陵寝 石刻 墓葬形制 随葬品 “竹林七贤与荣启期”拼镶壁画 

分 类 号：K871.42[历史地理—考古学及博物馆学]