自由低音手风琴作品《桑榆之梦》解析  

Analysis of Dream of Mulberry Elm by Free Bass Accordion

作　　者：王琦[1] WANG Qi(Department of Arts,Hefei Preschool Education College,Hefei 234000,China)

机构地区：[1]合肥幼儿师范高等专科学校艺术系,安徽合肥230013

出　　处：《宿州学院学报》2020年第7期57-61,65,共6页Journal of Suzhou University

基　　金：安徽省质量工程项目(2019cxtd016)。

摘　　要：通过对《桑榆之梦》的旋律、曲式、和声、复调技术、现代创作技法等创作特点进行剖析,不仅解析出作品中古典的风尚、中国民族气息以及20世纪帕萨卡利亚的特点,更揭示作曲家李遇秋先生高超精妙的创作技巧,即在沿袭帕萨卡利亚复调变奏艺术形式的同时,也将其作为一种创作的技术手段,结合十二音序列与中国民族音乐中的五声音阶,为古老的帕萨卡利亚复调变奏形态拓展出更广阔的空间,使帕萨卡利亚更具时代魅力。Through the analysis of the melody,music form,harmony,polyphonic technique,modern creative techniques and the creative features of Dream of Mulberry Elm,the article reveals that the work is full of classical style and runs through the Chinese national atmosphere and has the characteristics of the 20th century Passacaglia.In the meantime,it shows that the composer Mr Li Yuqiu has superb creative skills.He follows the traditional Passacaglia polyphonic variation form and uses it as a technical means of creation.Combined with the twelve-tone sound sequence and the pentatonic level in the national music,it expands a broader space for the polyphonic variation form of ancient Passacaglia and makes it more attractive in the times.

关 键 词：帕萨卡利亚 十二音序列 固定低音主题 变奏 

分 类 号：J614[艺术—音乐]