“隐逸美学意蕴”之“死亡之美”——以陶渊明和吉田兼好作品为例  

"Beauty of Death"Implied in"Hermit Literature"——Taking Tao Yuanming's and Yoshida Kenko's Works as Examples

作　　者：白丽云[1] BAi Li-yun(Yulin College,Yulin 719000,China)

机构地区：[1]榆林学院,陕西榆林719000

出　　处：《赤峰学院学报（哲学社会科学版）》2020年第8期66-70,共5页Journal of Chifeng University：Philosophy and Social Science Chinese Edition

基　　金：2011年度榆林学院高层次人才科研启动基金项目。

摘　　要：中日两国文化有着极为深远的关系,于解脱之道亦是如此。作为一种在社会中独立的人文沉思和价值守护,“隐逸文学”有着深层的现代性表征。生死的困惑有史以来就困扰人类。死亡是生命的虚无,虚无是精神的最高悬浮状态,这种状态更接近宗教和诗歌。对死亡的反方向体验可使失却生存勇气的人,重新衡量生命的价值和意义,死亡代表了一种精神之美与灵魂升华。本文以陶渊明和吉田兼好作品为例,从陶渊明和吉田兼好作品中的“死亡观”和“死亡”的超拔美感两个维度,管窥“隐逸”这一文学命题下中日语境下的“死亡之美”,深度体察在人格解放和自由的获得等方面人类总体文明意识一致的艺术精神。There is a profound cultural relationship between China and Japan,which is also the way to liberation.As an independent humanistic meditation and value guardian in the society,"Hermit literature"has a deep representation of modernity.The confusion of life and death has plagued mankind throughout its history.Death is nothingness of life,and nothingness is the highest suspended state of mind,which is closer to religion and poetry.The opposite experience of death can make those who have lost the courage to live reevaluate the value and meaning of life.Death represents a beauty of spirit and the sublimation of soul.From the aesthetic perspective of"two dimensions"on"death view"and"death",this paper takes Tao Yuanming's and Yoshida kenko's works as examples to have a restricted view on the"Seclusion"of literary motif in the Chinese-Japanese contexts of the beauty of death,and it deeply observes the consciousness of human civilization of the spirit of art in such aspects as personality liberation and freedom acquisition.

关 键 词：隐逸 解脱 死亡 美学 

分 类 号：I106[文学—世界文学]