三亚疍家咸水歌《水仙花》文化透析  

An Analysis of Danjia Folklore Narcissus

作　　者：冯建章[1] FENG Jianzhang(School of Art,Sanya University,Sanya 572000,China)

机构地区：[1]三亚学院艺术学院,海南三亚572000

出　　处：《湖州师范学院学报》2020年第7期56-61,共6页Journal of Huzhou University

基　　金：2017年国家社会科学基金项目西部课题“海南非遗保护与南海主权研究”(17XSH004)阶段性成果。

摘　　要：现今疍家人主要分布于广东、广西、海南和福建等地,但多已上岸定居。疍家人还是汉族支系中曾经离不开歌声的族群之一,咸水歌与他们生活片刻不离。《水仙花》是海南三亚疍家人咸水歌之一,又是所有咸水歌中篇幅较长的之一。在三亚咸水歌中,《水仙花》属于“木鱼诗调”;《水仙花》本身有着极高的文学、音乐和美学等价值;《水仙花》浓缩了疍家人的“悲情”历史、族群心理,体现了疍家人追求与大海肆虐、与社会压迫、与孤独和解的心理补偿机制。以《水仙歌》为代表的咸水歌,具有对疍家人救赎的功能。At present,Dans are mainly distributed in Guangdong,Guangxi,Hainan and Fujian,but most of them have settled on shore.The Dans are one of the ethnic groups in the Han family whose life is closely related with singing.Xianshuige is closely related to their life.Narcissus is one of the Xianshui songs of the Dans in Sanya,and it is one of the longest ones.In Sanya Xianshuisongs,daffodils belong to“wood fish poetry”;Narcissus itself has a high value of literature,music and aesthetics;daffodils condense the“tragic”history and ethnic psychology of the Dans,and embody the psychological compensation mechanism of the Dans’pursuit of reconciliation with the sea,social oppression and loneliness.Xianshuisongs,represented by Narcissus song,have the function of redeeming Dans.

关 键 词：海南 疍家 咸水歌 《水仙花》 

分 类 号：I276.2[文学—中国文学]