论阎连科的乌托邦叙事及讽喻写作  

On Yan Lianke's Utopian narration and allegorical writing

作　　者：林继鹤 LIN Jihe(School of Humanities, Shenzhen University, Shenzhen 518060, Guangdong, China)

机构地区：[1]深圳大学人文学院,广东深圳518060

出　　处：《河南理工大学学报（社会科学版）》2020年第5期52-58,共7页Journal of Henan Polytechnic University:Social Sciences

摘　　要：苦难主题是解读阎连科创作的切入点,通过借助对底层民间所遭受的苦难及其为摆脱苦难所建构的乌托邦理想的叙事,阎连科试图达成对现代社会人焦虑与失常状态的讽喻。有感于历史进程中的乌托邦实践造成的毁灭性灾难,借助讽喻叙事,阎连科想要将拯救的视域引回人自身的道德修冶,从人本主义的角度探寻人的终极救赎。不过,由于阎连科的创作存在着鲜明的道德倾向,他所提出的解救之径或多或少带上了一点“道德乌托邦”的虚幻色彩,这也使得阎连科以“神实主义”为名的讽喻写作始终游移在真实和夸饰的模糊地带,从而削减了批判主题的力度和深度。The theme of suffering is the starting point to interpret Yan Lianke's creation.He tries to achieve the aim of allegory of the anxieties and abnormalities of modern people with the narration of the suffering suffered by the people at the bottom and their Utopian ideal constructed to escape the suffering.Yan felt that in the process of historical development,all sorts of Utopian practices has brought disasters to the society.So his allegorical writing is to bring back people's moral cultivation,and explore the ultimate salvation of man from humanistic perspective However,because of his distinctive moral orientation,his creation has more or less brought about the illusion of“ethical Utopia”,which also made his“God realistic”allegorical writings always wandering between the real and the exaggerated,and thereby reduces the intensity and depth of critical themes.

关 键 词：阎连科 乌托邦 人本主义 讽喻 苦难 

分 类 号：I206.7[文学—中国文学]