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作 者:严晓驰 YAN Xiao-chi(College of Law And Political Science,Zhejiang A&F University,Hangzhou 311300,China)
出 处:《宁波大学学报(人文科学版)》2020年第5期53-60,共8页Journal of Ningbo University:Liberal Arts Edition
基 金:浙江省教育厅科研资助项目“童话中的‘森林’意象研究”(Y201839840)。
摘 要:森林以其独特的地理位置成为童话故事中现实世界与幻想世界的过渡空间,亦象征着精神中的无意识状态。受到神话与民间故事的影响,森林意象自中世纪以来便承载着不同文化时段的集体无意识,在童话中则化身为主人公成长仪式的场所。森林因特有的过渡性质而呈现出了双重性,一方面以家园的形式给予童话主人公庇护,另一方面则显示出死亡的恐惧,成为主人公新生的空间。探索“森林”意象可以为童话文本的研究注入哲学和人文意义,并揭示其特有的历史和地理价值。With its unique geographical location,forest becomes the transition space between the real world and the fantasy world in fairy tales,and also symbolizes the unconscious state in the spirit.Influenced by mythology and folktale,forest image has carried the collective unconsciousness in different cultural periods since the middle ages,and it becomes the place where the protagonist grows up in fairy tales.Finally,because of its unique transitional nature,the forest presents the character of duality.On the one hand,it gives shelter to the fairy tale protagonist in the form of home;on the other hand,it shows the fear of death and becomes the newborn space for the protagonist.The study of the image of forest can be of philosophical and humanistic significance for fairy tales,and can reveal its unique historical and geographical value.
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