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作 者:韦云鹤 杨宝春[1] WEI Yun-he;YANG Chun-bao(College of Arts,Qingdao University,Qingdao Shandong 266000,China)
出 处:《齐齐哈尔大学学报(哲学社会科学版)》2020年第8期94-96,共3页Journal of Qiqihar University(Philosophy & Social Science Edition)
摘 要:晚唐时期,幕府公文创作走向程式化。组合典故成为章、表、状、启、檄、牒类公文创作避免雷同的主要方式,大量堆砌典故成为当时幕府文书的通病。李商隐长期担任幕府僚佐,一生中创作大量代拟类公文。这些文书在隶事用典上既带有时代印迹,也有其鲜明的个人特征。李商隐以其卓著的才华达到了“于唐人为别格”的文章创作成就,体现在典故运用上,表现为形象和意韵之美的融合,以及典故意象间的交互映衬。通过对李商隐代拟类公文隶事用典特征的探究,可以深刻认识其骈文能够“为后世文章开辟新的审美范式”的缘由。In the late Tang Dynasty,the creation of official documents of the shogunate was stylized.The combination of allusions became the main way to avoid the sameness in the creation of official documents such as chapters,tables,forms,chaptersand ultimatums.Li Shangyin served as the assistant of the shogunate for a long time and created many official documents.These documents have not only the mark of The Times,but also their distinct personal characteristics.With his outstanding personal talent,Li Shangyin had achieved the writing achievement of being different from tang people,which is reflected in the use of allusions,the integration of the beauty of images and ideas,and the interaction between allusion images.Through the research on the characteristics of Li Shangyin's quasi-official documents,we can deeply understand the reason why his parallel prose can"open up a new aesthetic paradigm for later articles".
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