新时期诗歌发展的另一种可能——论孔孚山水诗创作的时代意义  

One More Path for Poetry Development in the New Era:On the Era Significance of Kong Fu’s Landscape Poems

作　　者：赵京强 Zhao Jingqiang

机构地区：[1]南京大学中国新文学研究中心

出　　处：《山东理工大学学报（社会科学版）》2020年第5期68-74,共7页Journal of Shandong University of Technology（Social Sciences Edition）

摘　　要：山东诗人孔孚以单一题材的山水诗创作在新时期诗坛上别具一格。前人论及孔孚山水诗多从审美角度将其看作刻意摆脱意识形态桎梏的纯文学或者看作对新时期主流诗歌创作的一种补充。其实,力主“大入大出”的孔孚一直有鲜明的“接线”和“寻路”意识,有生之年始终致力于在向西方学习之外以山水诗的形式探索一条能够含纳中国传统诗美精华的新诗发展道路。这种持久的探索某种程度上讲比他的诗歌本身更值得文学史铭记。Poet Kong Fu from Shandong established his unique style in the new era with his landscape poems on one single subject.In the previous studies,Kong Fu’s landscape poems have been regarded as pure literature deliberately freed from the shackles of ideology or as a supplement to mainstream poetry creation in the new era.As a matter of fact,however,Kong Fu,who advocates“highly compacted,instantly released”,has always had a clear sense of“connection”and“path-finding”,and has always been committed to exploring a new poetry development path that fully demonstrates the beauty of traditional Chinese poetry in his lifetime,for the purpose of distinguishing it from the simple“Western model”.This kind of enduring exploration is more valuable in literary history than his poetic achievements.

关 键 词：孔孚山水诗 新诗出路 新时期 

分 类 号：I206.7[文学—中国文学]