论建安时代偏才论的兴起  

On the Rise of the Theory of Partial Talent of Times New Roman

作　　者：徐昌盛 XU Chang-sheng(College of Literature,Shandong University,Jinan 250100,Shandong,China)

机构地区：[1]山东大学文学院,山东济南250100

出　　处：《石河子大学学报（哲学社会科学版）》2020年第4期103-109,共7页Journal of Shihezi University(Philosophy and Social Sciences)

基　　金：国家社科基金重大项目“明清骈文文献整理与研究”(18ZDA251)。

摘　　要：曹丕《典论·论文》重点关注了当时的作家,构成了最早的作家论,尤其着重论述了作家的偏才情况,代表了当时评论者的共同关切,开创了中国文学批评中的偏才论。《典论·论文》是偏才论提出的经典文献,刘劭《人物志》对偏才论进行了理论总结。曹丕与刘劭等人在实践和理论上对偏才的论述,既是汉末以来清谈向名理发展的产物,又呼应了曹操“唯才是用”的人才政策。As one of the earliest essays on writer, Essays of Classical Criticism, written by Cao Pi, focused on the discussion of contemporary writers, especially on the theory of partial talent, showing a common concern for critics at that time and beginning the criticism of partial talent in Chinese litrary criticism. The book is a classical document of the theory of partial talent while Liu Shao’s Records of Figures summarizes the theory of partial talent. The discussions of Cao Pi and Liu Shao is not only the product of the development of metaphysics since the end of Han Dynasty, but also is en echo to Cao Cao’s talent policy.

关 键 词：建安 文学批评 偏才论 兴起 

分 类 号：I209[文学—中国文学]