历史人类学视域下赣南采茶戏的传统与变迁  

The Tradition and Changes of Gannan Tea-picking Opera from the Perspective of Historical Anthropology

作　　者：樊凤龙[1] 马艳[1] FAN Feng-long;Ma Yan(School of Art,Jiangxi University of Finance and Economics,Nanchang Jiangxi 330013)

机构地区：[1]江西财经大学艺术学院,江西南昌330013

出　　处：《艺术百家》2020年第3期96-101,共6页Hundred Schools In Arts

基　　金：2017年度教育部人文社会科学研究规划基金项目“赣南采茶戏音乐研究”(项目编号:17YJA760013)阶段性成果之一

摘　　要：赣南采茶戏所表现出的传统与文化变迁的轨迹,体现着客家文化构建与变动的历史特征。作为汉民族移民文化的一种,在时间潮流与社会动态的促进下,赣南采茶戏传统的形成是赣南客家民系的现实性选择;同时,汉民族传统文化的异地传播与在地化,赋予采茶戏民俗性和文化象征性内涵,进而推动该戏曲文化表演语境的动态转移与表演文本的形式扩充。当下,赣南采茶戏不能仅限于表面的、一元化的研究,更应从多维度出发,从历史文本与文化表象着手去探寻更加深层的语法逻辑结构,对其曲文化变迁过程中产生的本质属性、族性问题给予更多的审视。The track of traditional and cultural changes shown by Gannan tea-picking opera reflects the historical characteristics of Hakka culture construction and changes. As a kind of immigration culture of Han ethnic group,the formation of Gannan tea-picking tradition is the realistic choice of Gannan Hakka ethnic group under the promotion of time trend and social dynamics. At the same time,the spread and localization of traditional Chinese culture in different places endows tea-picking opera with folk custom and cultural symbolic connotation,thus promoting the dynamic transfer of the performance context of the opera culture and the expansion of the form of the performance text.At present,Gannan tea-picking opera cannot be limited to superficial and unified research,but should start from multi-dimensions to explore deeper grammatical and logical structures from historical texts and cultural appearances,and give more scrutiny to the essential attributes and ethnic issues arising from the cultural changes of Gannan tea-picking opera operas.

关 键 词：赣南采茶戏 客家文化 传统构建 历史变迁 文化反本质 

分 类 号：J802[艺术—戏剧戏曲]