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作 者:陈洁[1] CHEN Jie(School of Music,Nanjing Normal University,Nanjing 210097)
出 处:《艺术百家》2020年第3期113-117,128,共6页Hundred Schools In Arts
基 金:2018年度南京师范大学校级教改研究课题(项目编号:18122000091843)成果之一。
摘 要:少数民族音乐诞生于各民族地域日常生产劳动实践,反映了当地人民最自然的生活情态,打上了深深的地域特色烙印,成为地区文化的象征。通常,少数民族音乐通过自然、移民、宗教、教育、媒介等方式进行传播。随着社会的发展和全球化进程的加快,少数民族音乐赖以生存的土壤被破坏、传统音乐传承机制无法适应新时代的发展、传承人数量的减少、少数民族音乐的创新性不足、流行音乐的冲击、受众审美思维的改变及学校音乐教育的忽视等都影响着当代少数民族音乐的传播与发展。面对少数民族音乐的传播困境,只有内外兼修,既创新少数民族音乐乐曲的形式、内容和演奏方式,又从外部加强传承机制建设,才能真正让少数民族音乐充分展现其艺术魅力,走出国门、走向世界舞台。Minorities music,springing up in the daily production and labor practice in ethnic minority areas,has been a symbol of regional culture,which embodies the most natural life modality of local people with a deep brand of regional features. In general,there are several ways to spread music among ethnic minorities: natural spread,Immigrants spread,religious communication,educational communication,media communication,etc. With the development of society and the acceleration of globalization,the destruction of the soil on which minorities music rely for existence and failure of the traditional music’s inherit mechanism to adapt to the development of the new era. By reasons of the decrease in the number of inheritors,the lack of innovation in minorities music,the impact of popular music,the changes in the aesthetic thinking of the audience,and the neglect of music education in schools,contemporary ethnic minorities music in spread and development have been affected deeply. In the plight of communication of minorities music,only by getting refined internally and externally,as making innovations in the form,content and performance of ethnic minorities music from the inside and strengthening the construction of inherit mechanism from the outside,can we go out of the country for the world stage with fully displaying the artistic charm of the minorities music itself.
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