从古越族图腾崇拜解读排湾族百步蛇服装纹饰艺术  

The art of Paiwan tribe clothing patterns of Hundred steps snake from totem worship of ancient Yue group

作　　者：黄帼鸿 陈东生[2] 甘应进 HUANG Guohong;CHEN Dongsheng;GAN Yingjin(College of Engineering and Design,Sanming Medical and Polytechnic Vocational College, Sanming 365000, China;Centre for Modern Apparel Engineering and Technology, Jiangxi Institute of Fashion Technology, Nanchang 330000, China;Clothing and Design Faculty, Minjiang University, Fuzhou 350108, China)

机构地区：[1]三明医学科技职业学院工程与设计学院,福建三明365000 [2]江西服装学院现代服装工程技术研究中心,江西南昌330000 [3]闽江学院服装与艺术工程学院,福建福州350108

出　　处：《河南工程学院学报（自然科学版）》2020年第3期16-20,共5页Journal of Henan University of Engineering：Natural Science Edition

基　　金：教育部人文社会科学研究规划基金项目(18YJA760001)。

摘　　要：从古越族和排湾族共同的蛇图腾崇拜入手,解读排湾族百步蛇纹饰的表现形式、应用与审美,分析纹饰的特点及其所承载的文化内涵,总结出排湾族百步蛇纹饰艺术是古越文化遗存在排湾族服饰上的印证,展现了图腾文化永恒的生命力。解读排湾族的服装纹饰对研究台湾地区原住居民服饰文化的传承与发展、开展服饰非物质文化遗产的保护和研究工作,有着重要的价值和意义。This paper begins with the snake totem worship of the ancient Yue and Paiwan tribe,analyzes the characteristics and cultural connotation of the Hundred steps snake decoration of Paiwan tribe,and summarizes the decoration art of Hundred steps snake of Paiwan tribe.It is proved that ancient Yue culture remains on the Paiwan ethnic costumes and shows the eternal vitality of Totem culture.It is of great value and significance to study the inheritance and development of Taiwan aboriginal costume culture and to carry out the protection and research on the intangible cultural heritage of clothing.

关 键 词：古越族 图腾崇拜 排湾族 百步蛇 服装纹饰 

分 类 号：J523.5[艺术—艺术设计] TS941.1[轻工技术与工程—服装设计与工程]