从影视美学视角评析电影《让子弹飞》  

Comment on the movie Let Bullets Fly from the Perspective of Film and Television Aesthetics

作　　者：孟凡鑫 Meng Fanxin(Tarim University,Alar,Xinjiang 843300)

机构地区：[1]塔里木大学,新疆阿拉尔843300

出　　处：《卫星电视与宽带多媒体》2020年第14期129-131,共3页Satellite TV & IP Multimedia

基　　金：塔里木大学校长基金创新研究群体项目(编号:TDSKCQ201901)。

摘　　要：《让子弹飞》电影是姜文2010年导演的贺岁作品,创当年国内票房纪录,高达6.67亿元人民币。姜文导演作品具有鲜明特色,作品中都具有强烈的自我表达欲望,《让子弹飞》这部电影在商业性和艺术性上得到了兼顾,票房大卖的背后电影故事中蕴含着诸多影视美学的体现。本文将通过影视美学的视角从电影背景、叙事结构、镜头、音效等方面解析电影《让子弹飞》。Let the Bullets Fly is a New Year's work directed by Jiang Wen in 2010,which set a domestic box office record of 667 million yuan.Director Jiang Wen's works have distinctive features,and all his works have a strong desire for self-expression.The film Let Bullets Fly is both commercial and artistic,and the film story behind the box office sales contains many film and television aesthetics.This paper will analyze the movie Let Bullets Fly from the perspective of film aesthetics from the aspects of film background,narrative structure,lens and sound effects.

关 键 词：影视美学 叙事结构 镜头 

分 类 号：TN94[电子电信—信号与信息处理]