嘉庆朝倦勤斋诗文贴落陈设探讨  

A Study of The Tieluo of Poetry Calligraphy of Juanqinzhai Studio of Emperor Jiaqing’s Reign

作　　者：李泊汀 Li Boting

机构地区：[1]故宫博物院宣传教育部

出　　处：《故宫博物院院刊》2020年第8期92-102,111,共12页Palace Museum Journal

基　　金：2018年国家社会科学基金重大项目“中国古代都城文化与古代文学及相关文献研究”(项目编号:18ZDA237)的阶段性成果。

摘　　要：宁寿宫倦勤斋作为故宫建筑研究性保护的范例之一,历来以修建者乾隆皇帝的匠心和雅趣而著名,但是斋内现存的十五件诗文贴落却全部来自嘉庆朝。这些诗文贴落中有五件是嘉庆皇帝的御笔诗作,十件是由六位嘉庆朝大臣书写的前代诗赋名篇、嘉庆帝御制诗联及臣子自撰联语。它们的贴裱缘于嘉庆十三年和二十二年完工的两次修缮工程。这些诗文贴落反映了倦勤斋在嘉庆朝的使用情况,揭示出这里功能定位的转变,并隐含着其在晚清趋于废置的事实。对倦勤斋原状诗文贴落的研究,不仅有助于梳理此建筑在乾隆朝以后的使用情况,也是了解嘉庆朝宫廷文化转变的一个窗口。The Juanqinzhai Studio( 倦 勤 斋) well known for its interior finishing with Emperor Qianlong’s( 乾隆) ingenuity and elegance houses 15 articles of Tieluo of Poetry Calligraphy of Emperor Jiaqing’s( 嘉庆) period, five of which are written by Emperor Jiaqing( 嘉 庆), the rest ten includes officials’ six copies of the past generations’ poems or Emperor Jiaqings poetry couplets besides the their own works. The Poetry of Tieluo narrate the functional and positional changes of Juanqinzhai Studio during the period of Emperor Jiaqing’s( 嘉庆) reign with the implication of its being deserted in the late Qing dynasty. The study of the poetry of Tieluo is of significance for insight into the function of The Juanqinzhai Studio in the periods following Qianlong’s reign which works as a window to the court culture change of Emperor Jiaqing’s( 嘉庆) times.

关 键 词：倦勤斋 诗文贴落 嘉庆君臣 宫廷文化 

分 类 号：I206.2[文学—中国文学] K249.3[历史地理—历史学]