战国时期秦、楚漆木家具设计探讨  

Discussion on the Design of Qin and Chu Lacquered Wood Furniture in the Warring States Period

作　　者：赵喆 刘学莘[1] 王佳 Zhao Zhe;Liu Xueshen;Wang Jia(College of Materials Engineering,Fujian Agriulture and Forestry University,Fuzhou 350002,China;College of Jewelry,Shanghai Jian Qiao University,Shanghai 201306,China)

机构地区：[1]福建农林大学材料工程学院,福州350002 [2]上海建桥学院珠宝学院,上海201306

出　　处：《艺术与设计（理论版）》2020年第8期104-106,共3页Art and Design

基　　金：国家级精品在线开放课程建设项目(699180040);福建省林业科技推广项目(2019TG18)。

摘　　要：为了对战国时期漆木家具设计进行探究,文章分别以战国时期楚、秦两地为例,通过分析两地区出土文物和相关文献资料,探讨这一时期漆木家具的形制、色彩、纹样以及形成原因。研究表明,战国时期楚、秦两地漆木家具造型有所差异,其中楚地家具制作细致,善于雕刻,花纹繁复,纹饰崇尚红色;秦地家具制作简约,善于整挖,更具实用性,崇尚黑色。楚、秦两地的漆木家具造型差异主要受地理环境条件、南北方文化差异和阴阳学中的天命德行观念影响,其所体现出的选材环保、设计自然等优点,以及在文化传承与发扬和尊重文化多样性内涵方面对现代家具设计具有启迪和借鉴意义。To explore the styles and cultural characteristics of lacquer furniture at the Warring States Period, the present paper studied unearthed relics and related literature of Qin and Chu locations at this period, in order to investigate shapes, colors and patterns of lacquer furniture as well as the causes of their formation. The study showed that lacquer furniture of Chu differed from that of Qin. The former was finely designed and carved with delicate patterns and red ornaments while the latter was carved in a simple style, more practical and often in black. Their differences could be explained by cultural divide between the north and south, geographical environment and destiny and virtues of Yin and Yang philosophy. According to the characteristics of environmental protection,design nature and other cultural heritage and development and respect for cultural diversity embodied in the smoky wood furniture of the Warring States, it is inspired by modern furniture design.

关 键 词：漆木家具 设计影响 传承 战国 

分 类 号：J525.3[艺术—艺术设计]