中国传记电影发展的历史、现状及反思  

Development of Chinese Biographical Films:History,Present and Reflections

作　　者：储双月[1] CHU Shuangyue(Institute of Film and Television Art,Chinese Academy of Art,Beijing 100029,China)

机构地区：[1]中国艺术研究院电影电视艺术研究所,北京100029

出　　处：《上海大学学报（社会科学版）》2020年第5期37-45,共9页Journal of Shanghai University(Social Sciences Edition)

摘　　要：传记电影关注的是人物的个性,呈现给观众的是人物的个性发展历程。纪实传真亦即恪守事实的真实,是传记电影的重要使命。因思想束缚过多,一直处于主流意识形态的利益格局中,宣教色彩过于浓厚,这些导致中国传记电影的发展远远滞后于英美国家的传记电影。弱化宣教色彩,不以政府扶持为主要倚靠,处理好传记电影的政治性与商业性、艺术性的关系,以及历史真实和艺术真实的关系,呈现出稳定的类型电影生产模式,是中国传记电影的成功之路。Biographical films focus on individuality of characters,aiming at presenting the audience the track of personality development.The important mission of biographical films lies in recording actual events,thus giving priority to the authenticity of facts.Chinese biographical films have been influenced by the mainstream ideology and confined to ideological shackles,which leads to excessive doctrine teaching.That is why Chinese biographical films lag far behind films of countries like Britain and the United States.In order to get on the road to success,Chinese biographical films should reduce preaching,be independent of government support,correctly handle politics,business and artistry in biographical films and clarify the relationship between historical authenticity and artistic authenticity so as to produce stable "genre films".

关 键 词：纪实传真 纪念性传记电影 认同性传记电影 排异性传记电影 类型融合 

分 类 号：J95[艺术—电影电视艺术]