近现代景德镇陶瓷艺术的传承与发展  

Inheritance and Development of Modern Jingdezhen Ceramic Arts

作　　者：尹志军[1] 黄小华[2,3] YIN Zhijun;HUANG Xiaohua(Jiangxi Arts&Ceramics Technology Institute,Jingdezhen 333000,Jiangxi China;Zhejiang University Ningbo Institute of Technology,Ningbo,315100,Zhejiang China;Faculty of Innovation and Design,City University of Macao,Macao,99907&China)

机构地区：[1]江西陶瓷工艺美术职业技术学院,江西景德镇333000 [2]浙江大学宁波理工学院,浙江宁波315100 [3]澳门城市大学创新设计学院,中国澳门999078

出　　处：《陶瓷学报》2020年第4期581-586,共6页Journal of Ceramics

基　　金：江西省高校人文社会科学研究项目(YS18147);江西省高等学校教学改革研究课题(JXJG-18-56-2)。

摘　　要：在近代复杂多变的历史背景下,景德镇瓷业生产模式发生了改变,由日用瓷为主导的生产逐步转向手工艺术瓷生产。在此历程中,多重元素影响其生产体系和产业结构,传统与现代、中国特征与国家理念等均在影响其发展历程,并外化为“二元悖论”、一元主导、多元共存三个阶段的代表性特征。通过对近现代景德镇陶瓷艺术传承与发展的思考与研究,了解多重因素在此发展历程中所起到的重要作用,可以印证陶瓷艺术生产中传统文化与现代文化相互共存,文明体系交相互容的理论。With the complex and changeable historical background in modern times, the production mode of Jingdezhen porcelain industries has changed from that dominated by daily porcelains to the one of handicraft art porcelains. In this process, multiple elements have influenced the production system and industrial structure, including traditional versus modern, Chinese characteristics and national concepts, thus externalizing into the three-stage representative characteristics of "dual paradox", one leading and multiple coexistence. Through deep thinking and deliberating the inheritance and development of modern Jingdezhen ceramic arts, it is possible to understand the important role of multiple factors in the development process, so as to confir m the theory that the traditional culture and modern culture would coexist and the civilization systems would be concurrently present in the production of ceramic arts.

关 键 词：陶瓷艺术 传承与发展 多元共存 

分 类 号：TQ174.74[化学工程—陶瓷工业]