南朝歌行诗的承继与变通  

Inheritance and Adaptation of Song Line Poetry in the Southern Dynasty

作　　者：杨丽[1] YANG Li(Jiangsu Open University,Nanjing 210036,China)

机构地区：[1]江苏开放大学,南京210036

出　　处：《黑龙江教师发展学院学报》2020年第9期115-117,共3页Journal of Heilongjiang Institute of Teacher Development

基　　金：江苏开放大学江苏城市职业学院“十二五”规划课题“歌行:行走在格律之间的‘自由诗’——以南朝歌行诗为研究对象”(15SEW-Y-019)。

摘　　要：“歌行”诗的发展历经了先秦的萌发,汉魏的初变,南朝的成熟,唐朝的鼎盛。基于此,从“歌行”诗发展流变中呈现的题目的歌辞性、内容的长于叙事达情、句式灵活自由、语言重章叠句的特征来探究处于南朝时期“歌行”发展的承继与变通,即改造旧题,拓宽歌行表现主题;关注女性个性欲望,形成世俗化创作审美取向;强化诗歌音乐性特征,开创律化歌行格局。The development of“song line”poetry has experienced the germination of pre Qin,the initial change of Han and Wei,the maturity of the Southern Dynasty,and the prosperity of the Tang Dynasty.This paper attempts to explore the inheritance and adaptation of the development of“song line”in the Southern Dynasty from the characteristics of song and line,which are presented in the development of“song line”poetry,such as the lyric nature of the title,the content of the song and the expression of emotion,the flexible and free sentence structure,and the language emphasis on chapters and reiterations:reforming the old title,broadening the theme of song and line;paying attention to the female individual desire,forming the secular aesthetic orientation of creation;strengthening the musical characteristics of poetry,creating a pattern of rhythmic“song line”.

关 键 词：南朝 歌行 承继 变通 

分 类 号：I207[文学—中国文学]