明七子影响下许筠诗学观的建构  

The Construction of Xu Yun's Poetic View under the Influence of the Seven Sons of the Ming Dynasty

作　　者：蔡美花 袁棠华 Meihua Cai;Tanghua Yuan(Foreign Studies College,Hunan Normal University,Changsha,Hunan,China;Department of Chinese Literature,Beihua University,Jilin,Jilin,China)

机构地区：[1]湖南师范大学外国语学院,湖南长沙410081 [2]北华大学中文系,吉林吉林132013

出　　处：《外国语言与文化》2020年第3期1-12,共12页Foreign Languages and Cultures

基　　金：国家社科基金重点项目“中国诗学在古代朝鲜半岛的流播之文献整理与研究”(18AWW004)。

摘　　要：许筠是朝鲜王朝中期的著名文学家。他在明七子文学复古思想的影响下,结合朝鲜文坛实际,形成了独特的诗学观念。他肯定明七子的复古运动,赞同其"文学秦汉、诗学盛唐"的文学主张;以性情为基点,主张学诗追溯至《诗经》,学习讲性情之道的国风;针对复古中出现的肤廓空疏之风及朝鲜诗坛之弊,提出绩学攻苦、博综该惯的学识要求;针对七子"诗学盛唐"的断代性,提出"厚古贵今"的观念,拓展了诗学视野;在总结明代复古的剽窃蹈袭之弊的基础上,重视各种手法灵活的融合运用,追求"至法无法"的作诗手段。Xu Yun lived during the middle and late Ming dynasty,and the movement for restoring ancient ways initiated by the seven sons of the Ming dynasty had a great influence on him.When he accepted the thought of restoring ancient ways in the literature of the seven sons of Ming dynasty,he formed his own idea of poetics based on the reality of the Korean literary world.He affirmed the movement of restoring ancient ways in the literature of Ming qizi,and agreed with the literary propositions of the Qin and Han dynasties and the poetics of the Tang dynasty.He advocated temperance in poetics.In view of the dynastic nature of qizi poetics in the Tang dynasty,this paper puts forward the concept of"thick ancient and precious modern",which expands his vision of poetics.Summing up the disadvantages of plagiarism in the Ming dynasty,this paper attaches importance to the flexible integration and application of various techniques,and pursues the poetic means of"supreme law".

关 键 词：复古 性情诗学 博综该惯 厚古贵今 至法无法 

分 类 号：I312[文学—其他各国文学]