论祝大年《森林之歌》壁画的属性  

On the Attribute of Zhu Danian's Mural Painting:Rhythm of the Forest

作　　者：李相武 LI Xiang-wu(Academy of Arts&Design,Tsinghua University,Beijing 100084,China;Jingdezhen University,Jingdezhen 333000,Jiangxi Province,China)

机构地区：[1]清华大学美术学院,北京100084 [2]景德镇学院,江西景德镇333000

出　　处：《景德镇学院学报》2020年第4期106-110,共5页Journal of JingDeZhen University

基　　金：2016年江西省高校人文社会科学研究项目“祝大年的陶瓷艺术研究”(YS163001)。

摘　　要：近几十年以来,我国陶艺界普遍认为祝大年的《森林之歌》壁画只是壁画和陶瓷艺术,而不属于“陶艺”和“现代陶艺”。这其实是基于西方现代主义的自律性逻辑的偏见。《森林之歌》壁画以及部分绘画性陶瓷艺术作品,完全具有成为“陶艺”或“现代陶艺”的可能,前提是要对“陶艺”“现代陶艺”的基本观念进行批判和反思。In recent decades,it has been widely believed in China's ceramic art circle that the Rhythm of the Forest by zhu Danian is only a mural painting or a ceramic painting art,and it can not demonstrate the"ceramic art",not to mention the"modern ceramic art".Actually,this is just a bias based on the self-discipline logic of Western modernism.The mural of Rhythm of the Forest and some other ceramic painting works could well be regarded as a kind of"ceramic art"or"modern ceramic art"as long as we give a new consideration to the basic concepts of"ceramic art"or"modern ceramic art".

关 键 词：祝大年 《森林之歌》 陶艺 现代陶艺 

分 类 号：J527[艺术—艺术设计]