云冈昙曜五窟洞窟形制中的印度因素与相关问题研究  

Indian Elements in the Structure of Tanyao’s Five Caves at Yungang and Relevant Problems

作　　者：郭静娜 韦正 GUO Jingna;WEI Zheng(School of History and C ulture,Shanxi University,Taiyuan,Shanxi 030006;Research Institute of the Yungang Grottoes,Datong,Shanxi 037007;School of Archaeology and Museology,Peking University,Beijing 100871)

机构地区：[1]山西大学历史文化学院,山西太原030006 [2]云冈石窟研究院,山西大同037007 [3]北京大学考古文博学院,北京100871

出　　处：《敦煌研究》2020年第4期38-43,共6页Dunhuang Research

基　　金：山西省科技厅项目“文化产业视角下的云冈石窟丝路文化研究”(2018041012-2);大同市科技局项目“云冈石窟丝路文化研究——以犍陀罗艺术传播为例”(2019178)。

摘　　要：云冈石窟的早期洞窟又称昙曜五窟,洞窟形制较为独特,与现阶段所知的大像窟窟型均不同。论文通过对昙曜五窟大像窟平面形状、洞窟内的雕刻风格以及云冈石窟山顶寺庙遗址的分析,同时对比克孜尔石窟、巴米扬大佛的洞窟形制,得出昙曜五窟的洞窟应是受到印度石窟寺的影响的结论。除此之外论文还对传统佛教文化传播的路线以及石窟寺之间的影响问题、昙曜五窟洞窟的性质问题提出了新的观点。A set of grottoes known as Tanyao’s Five Caves from the early period of cave construction at Yungang were made according to a highly unique design that differs greatly from the structure of the more recent Great Buddha Cave.By analyzing the cave structure,sculpture style,and the monastery site on the top of the Yungang Grottoes,and by comparing the design of these caves with those of both the Kizil Grottoes and the Large Buddha Cave,this paper concludes that Tanyao’s Five Caves were likely influenced by Indian cave temples.This research further touches on the dissemination route of traditional Buddhist culture,the relationships of influence between different cave temples,and the specific characteristics of Tanyao’s Five Caves.

关 键 词：云冈石窟 昙曜五窟 洞窟形制 

分 类 号：K878.6[历史地理—考古学及博物馆学]