梅兰芳表演美学研究的标志性著作——评邹元江教授《梅兰芳表演美学体系研究》  

A Landmark Work on the Research of MEI Lanfang’s Performance Aesthetics: A Review of A Study on MEI Lanfang’s Performance Aesthetics System by ZOU Yuanjiang

作　　者：杨锋刚[1] YANG Fenggang

机构地区：[1]兰州大学哲学社会学院

出　　处：《戏剧艺术》2020年第4期154-160,共7页Theatre Arts

摘　　要：邹元江教授的《梅兰芳表演美学体系研究》一书,以对"梅兰芳表演体系"的反思为基点,通过二十三个专题性研究,从不同层面讨论并揭示了梅兰芳表演艺术的审美内涵和特质,对梅兰芳表演美学中一系列重大的理论问题进行了深入系统的反思、考辨和分疏。该书在占有大量一手文献和影像资料的基础上,深入发掘出许多梅兰芳研究中从未关注或很少关注的问题域,极大地拓展了梅兰芳研究的空间,提出了许多极富创新性的观点。该书是从中国戏曲美学与艺术精神的高度全面、系统研究梅兰芳戏曲表演美学的第一部专著,也是一部在梅兰芳研究史上具有重要意义的著作,标志着梅兰芳研究达到了一个新的理论高度和境界。Research on MEI Lanfang’s Performance Aesthetics System,written by Professor ZOU Yuanjiang,starts with his reflection of "MEI Lanfang’s performance system". Through twentythree thematic topics,the book discusses and reveals the aesthetic connotation and characteristics of MEI Lanfang’s performing art from different aspects,and makes in-depth and systematic reflection,textual research and analysis on a series of major theoretical issues in MEI Lanfang’s performance aesthetics. Based on a large number of first-hand literature and video materials,the book deeply explores many important academic fields and problems that has never or rarely been paid attention to in MEI Lanfang study,greatly expanding the research space of MEI Lanfang study,and putting forward many innovative views. The book is the first comprehensive and systematic monograph on MEI Lanfang’s Xiqu performance aesthetics from the perspective of Chinese Xiqu aesthetics and artistic spirit. It is also an important work of demarcation significance in the history of MEI Lanfang study,marking that it has reached a new theoretical height and realm.

关 键 词：梅兰芳 表演体系 戏曲美学 

分 类 号：J80[艺术—戏剧戏曲]