新秧歌剧中的“新式家庭”  

“New Family”in New Yang’ge Opera

作　　者：惠雁冰 HUI Yan-bing(School of Chinese Language and Literature,Xian International Studies University,Xian 710128,Shaanxi,China;School of Literature,Yanan University,Yan'an 716000,Shaanxi,China)

机构地区：[1]西安外国语大学中国语言文学学院,陕西西安710128 [2]延安大学文学院,陕西延安716000

出　　处：《河南大学学报（社会科学版）》2020年第5期96-101,共6页Journal of Henan University(Social Sciences）

基　　金：国家社科基金项目“延安时期的戏剧活动”(15XZW004)阶段性成果。

摘　　要：延安时期的新秧歌剧与同期乡村建设的关系非常密切,解放区所推行的新式家庭建设运动在新秧歌剧中有明确投射。这种投射在叙事内容中具体体现为不脱离生产的妇女解放、不反封建的家庭内部关系的自我调整、不离婚以"二流子"的自新来维持婚姻关系三个方面。新式家庭的提出在一定程度上契合了抗战情境下中共新民主主义社会的建设理路,但也有其临时性、特殊性的一面。而新秧歌剧在叙事方面所呈现出来的留白与罅隙,也可视为这一临时性方案的艺术写照。The new Yang’ge opera in the Yan’an period has a very close relationship with the rural construction of the same period.The new family construction movement carried out in the liberated area has a clear projection in the New Yang’ge opera.This projection is specifically embodied in the narrative content as women’s liberation without leaving production.The self-adjustment of the internal relations of the non-feudal family,the non-divorce to maintain the marriage relationship with the"Er Liu Zi"renewal.The proposal of the new family fits the CCP’s new democratic society to a certain extent in the Anti-Japanese War situation.However,it has its temporary and special side,and the blankness and gaps in the narrative aspect of the New yang’ge opera can also be regarded as an artistic portrait of this temporary scheme.

关 键 词：新秧歌剧 乡村建设 新式家庭 

分 类 号：I209.9[文学—中国文学]