文庙佾舞舞谱中的力效与空间和谐学  

The Harmony between Effort and Space in the Yi Dance Notation of Confucius Temple

作　　者：车延芬[1] Che Yanfen(Minzu University of China,Beijing,100081)

机构地区：[1]中央民族大学舞蹈学院,北京100081

出　　处：《民族艺术研究》2020年第4期37-44,共8页Ethnic Art Studies

基　　金：2016年度国家社科基金艺术学一般项目“明降以来文庙佾舞舞谱的整理与研究”(项目批准号:16BE071)的阶段性研究成果。

摘　　要：文庙佾舞是集歌、舞、礼、乐于一体的孔子释奠礼中的乐舞形式。文庙佾舞舞谱通过符号、图画和文字等方式把释奠礼中的舞蹈动作、方位和构图变化等记录下来。虽然佾舞舞谱的术语统一而完整,但我们仅通过读谱并不能了解动作的内在质感。拉班舞蹈理论中人体动作分析方法的引入,既可以使我们体验其动作内在质量,又能够在读谱中感受动作发生的具体场景。拉班舞谱和动作分析是当代人的研究工具,它对文庙佾舞舞谱的分析是从文献到身体再到舞蹈的研究,是当代人对古代舞蹈艺术的阐释。The Yi dance at Confucius Temple is a musical dance of Confucius Shidian Rite which integrates song,dance,rites and music. With symbols,pictures and characters,Yi dance at Confucius Temple records the dance movement,position and layout of Shidian Rite. Although the terms are standardized and complete in the notation of Yi dance,we are unable to understand the inner quality of the movement only by reading notations. The dance theory by Laban on the analysis of human movement can enable us to experience the inner quality of the movement as well as to feel the specific scene where the movements happen while reding the notation. Labanotation and movement analysis are contemporary tools,which can study the notation of Yi dance from literature to body and to dance,so that it can be seen as contemporary interpretation of ancient dance art.

关 键 词：文庙佾舞舞谱 动觉观看 力效 空间和谐学 

分 类 号：J721[艺术—舞蹈]