内山书店、鲁迅与中国1930年代版画传播  

Neishan Bookstore,Lu Xun and Woodcut Popularity in China in the 1930s

作　　者：高秀川[1] GAO Xiu-chuan(School of Humanities,Xuzhou Institute of Technology,Xuzhou,Jiangsu 221018,China)

机构地区：[1]徐州工程学院人文学院,江苏徐州221018

出　　处：《徐州工程学院学报（社会科学版）》2020年第5期46-51,61,共7页Journal of Xuzhou Institute of Technology：Social Sciences Edition

基　　金：江苏高校哲学社会科学研究项目“域外版画传播与1930年代左翼文学生态”(2019SJA0973);徐州工程学院培育项目“民国时期域外版画接受与文学生态建构研究”(XKY2017103)阶段性成果。

摘　　要：1930年代鲁迅推动的新兴木刻版画运动中,内山书店发挥了极其重要的作用,其不仅积极参与域外版画的引进,也在版画书籍出版、版画人才培训、作品展览等方面做出诸多贡献。以内山书店、鲁迅与中国1930年代版画传播作为文化叙事样本进行考察,可以见到其不仅具有经济学、社会学、政治学、文学、艺术等多重语义空间,更标示出1930年代上海文化发展的某种向度,有深入探讨的学术价值。Neishan Bookstore played an extremely important role in the woodcut popularity promoted by Lu Xun in the 1930s.It not only actively participated in the introduction of overseas woodcut prints,but also made many contributions to the publication,cultivation and exhibition of woodcut books,talents and works.Taking as a case of cultural narrative,the investigation of Neishan Bookstore,Lu Xun and China's woodcut popularity in the 1930s shows that there exist multiple academic value and semantic spaces for in-depth discussion on economics,sociology,political science,literature and art,which demonstrate some certain dimension of Shanghai's cultural development in the 1930s.

关 键 词：内山书店 鲁迅 版画传播 

分 类 号：I206.6[文学—中国文学]