中国传记电影叙述者讲述机制与传主身份建构  

Narrator’s Narrative Mechanism and Biographee’s Identity Construction of Chinese Biographical Films

作　　者：樊露露[1] Fan Lulu(School of Humanities and New Media,Yangtze University,Jingzhou 434023,Hubei)

机构地区：[1]长江大学人文与新媒体学院,湖北荆州434023

出　　处：《长江大学学报（社会科学版）》2020年第4期89-94,共6页Journal of Yangtze University（Social Sciences Edition）

基　　金：湖北省教育厅哲学社会科学研究一般项目“中国传记电影的文化生成机制研究”(19Y033)。

摘　　要：中国传记电影普遍具有叙述者讲述机制,叙述者多采用追忆式的回溯视角,使叙述声音带有情感色彩和叙事张力。传记电影对叙述者的凸显与文学叙事接近,具有元叙事特征。大影像师通过第三人称叙述者或第一人称叙述者之口发声,用腹语术传递叙事价值,对于建构传主身份起到了重要作用。Chinese biographical films generally have a narrator’s narrative mechanism,and the narrator usually adopts a retrospective perspective of“recall”,which makes the narrative sound with emotional color and narrative tension.The prominence of the narrator in biopic films is similar to that of literary narratives and has the characteristics of meta-narration.The great image technician uses ventriloquism to convey the narrative value through the voice of the third person or the first person narrator,which plays an important role in constructing the identity of the biographee.

关 键 词：中国传记电影 叙述者 讲述机制 身份建构 

分 类 号：J905[艺术—电影电视艺术]