国庆献礼片的发展与嬗变  

The Development And Evolution of Gift Films

作　　者：闫怡涵 鲜佳 YAN Yi-han;XIAN Jia(College of Meishi Film, Chongqing University, Chongqing 400000, China)

机构地区：[1]重庆大学美视电影学院,重庆400000

出　　处：《河北科技大学学报（社会科学版）》2020年第3期101-106,共6页Journal of Hebei University of Science and Technology:Social Sciences

基　　金：2018年重庆大学中央高校平台成果培育专项项目(2018CDJSK06PT21)。

摘　　要：回顾与中国腾飞共同成长的国庆献礼片历史,“逢十献礼”成为了每十年一次的国庆档盛会。从新中国成立时期的《五朵金花》《林则徐》等献礼片走到今天,爱国主义和革命精神仍是不变的创作命题,但其制作和叙事模式随着时代的变迁和电影机制的完善,发生了转变和重构。平民史观和低位视角的叙事促成了集体的情感共鸣,民营资本的注入促进了商业模式的类型化与大片模式,民族文化和精神共同体的建立构成了新时代献礼片的主要创作模式。Looking back on the history of the National Day gift film which has grown up with the rapid development of China,"once a decade"has become a National Day celebration once every ten years.From Five Golden Flowers and Lin Zexu in the founding period of new China to today,patriotism and revolutionary spirit are still the same propositions of creation.However,the production and narrative mode have changed and reconstructed with the changes of the times and the improvement of film mechanism.The common people's view of history and the narrative of low perspective contribute to the collective emotional resonance.The injection of private capital promotes the typed business model and the development of blockbuster model.The composition of national culture and the establishment of spiritual community constitute the main mode of gift films in a new era.

关 键 词：献礼片 七十周年 国庆档 

分 类 号：J905[艺术—电影电视艺术]