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作 者:王丽雯 张明远[2] Wang Liwen;Zhang Mingyuan
机构地区:[1]山西大学哲学社会学学院 [2]山西大学美术学院
出 处:《美术》2020年第9期113-119,共7页Art Magazine
摘 要:晋城高都镇东岳庙天齐殿彩塑是我国仅存的两处金代道教彩塑之一,是金代晚期道教艺术在民间盛行的典型代表。本文以基础考察为据,结合文献和图像资料,对彩塑的题材组合样式的信仰来源及特点,造像的形制变化和塑像服饰冠带的时代特征,以及彩塑所反映出的宋金民族文化的交融性和民间审美的意趣性进行分析,并通过比较两处金代道教彩塑,进一步确证东岳庙天齐殿彩塑,是带有现实主义倾向的金代道教艺术遗存。The painted sculptures at the Tianqi Hall,Dongyue Temple(Gaodu Town,Jincheng)are the representative Taoist art form popular in the late Jin Dynasty.This study,based on field investigations,literature review and image materials,explores the belief origins and features of the subject combinations of the painted sculptures,changes in the shapes and structures of the images,historical features of the costumes,crowns and belts of the sculptures,the integrated national culture reflected by the sculptures,and the aesthetics of the folk culture.By comparing the painted sculptures with their counterparts at another site,it is further confirmed that those in the Dongyue Temple are valuable realistic Taoist art heritages created in the Jin Dynasty.
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