从传统到现代:中国当代休闲美学的本体论之思  

From Tradition to Modernity:Ontological Thinking of Chinese Contemporary Leisure Aesthetics

作　　者：张耀天 李羽茜 ZHANG Yaotian;LI Yuxi(Hubei Normal University,Huangshi Hubei 435002)

机构地区：[1]湖北师范大学,湖北黄石435002

出　　处：《湖北理工学院学报（人文社会科学版）》2020年第5期1-6,17,共7页Journal of Hubei Polytechnic University(Humanities And Social Sciences)

基　　金：国家社会科学基金项目“当代中国休闲文化美学研究与理论建构”,项目编号:15BZX117。

摘　　要：中国当代休闲美学的诞生,既是社会生产力发展、科技进步的成果,也是当下人为了摆脱经济压力、现实压力,寻求个体精神解放的结果。中国当代休闲美学把休闲行为纳入到传统美学的审美视域中,回应了当下传统美学学科发展窘境的问题,并且以传统美学的本体论为基础,构建起休闲美学的完整体系。中国当代休闲美学学科的确立,不仅拓宽了传统美学的研究视野,创新了重写美学的方案,且把当代人的生命体验和心理需求纳入到美学的研究范围,赋予了休闲以哲学的意义,既尊重了普通人的生命权利,也实现了美学学科的最大价值。The birth of contemporary leisure aesthetics is not only the result of the development of human social productive forces and scientific and technological progress,but also the result of people getting rid of realistic pressure and seeking individual spiritual liberation under economic pressure.Contemporary leisure aesthetics brings leisure behavior into the aesthetic horizon of traditional aesthetics,responds to the dilemma of the development of traditional aesthetics,and builds a complete system of leisure aesthetics based on the ontology of traditional aesthetics.The establishment of the discipline of Chinese contemporary leisure aesthetics not only broadens the research field of traditional aesthetics and innovates the scheme of"rewriting"aesthetics,but also brings the life experience and psychological needs of contemporary people into the research scope of aesthetics,endowing leisure with philosophical significance,respecting the life rights of ordinary people and realizing the maximum value of aesthetics.

关 键 词：当代休闲美学 本体论 创新 

分 类 号：G122[文化科学]