从“无知”到“有声”——论布劳提根诗歌后现代原始主义风格的源流与诗意生成  

From"Ignorance"To“Audibleness”:On the Origin and Poetic Creation of the Postmodern Primitivistic Style of Richard Brautigan's Poetry

作　　者：黄潇 Huang Xiao(Fudan College,Fudan University,Shanghai 200433,China)

机构地区：[1]复旦大学复旦学院,上海200433

出　　处：《复旦学报（社会科学版）》2020年第5期106-117,共12页Fudan Journal（Social Sciences）

摘　　要：美国“垮掉派”诗人、小说家理查德•布劳提根被誉为“反文化运动在作家中的最佳代表”。其诗歌看似缺少英美现代诗歌在意象、隐喻、象征、互文性上的苦心经营,却在感受力的唤醒和审美体验的刷新方面,另辟蹊径、别开生面。特别是其“无知”且“有声”的风格,推动着试图创造真正的“新诗”的美国原始主义诗学,从威廉•卡洛斯•威廉姆斯的“现代主义”阶段走向了“后现代主义”阶段。这不仅成为我们理解以布劳提根为代表的美国后现代主义诗歌的入口,同时也构成了我们探寻普遍意义上的诗歌诗意生成机制的契机。Richard Brautigan, the American Beat poet and novelist, is known as "the best representative of the counterculture movement among the writers." His poetry seems to lack the painstaking efforts of modern British and American poetry in imagery, metaphors, symbolism and intertextuality, but in the awakening of feeling power and the refreshing of aesthetic experience, he has no equal. In particular, his "ignorant" and "audible" style, which promotes the original American Poetics of Primitivism and tries to create the real "new poetry," from W.C.William’s modern stage to the postmodern stage. This research not only provides an opportunity to understand the American postmodern poetry represented by Brautigan, but also leads the way to explore the mechanisms of poetic formation in general.

关 键 词：布劳提根 原始主义诗学 后现代主义 诗意生成机制 

分 类 号：I712.072[文学—其他各国文学]