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作 者:米晓燕[1] Mi Xiaoyan(School of Chinese Language and Literature,Liaoning Normal University,Dalian 116081,China)
出 处:《辽宁师范大学学报(社会科学版)》2020年第5期115-121,共7页Journal of Liaoning Normal University(Social Science Edition)
基 金:国家社会科学基金一般项目“‘文笔之辨’与中古文学生态研究”(18BZW38)。
摘 要:魏末晋初是司马氏集团与曹氏集团权力倾轧和斗争的时期,政治斗争带来思想变革,也随之影响着文学创作。这一时期的文学叙写方式在以往常态叙写方式之外,也随之走向了多元化的表达,用偏离的,甚至是反转的语言展示真实的内心世界,寻求一种反传统的快意,成为这一时期一种特殊又富有开创性的表达方式。对“丑”的夸赞式吟咏、对“穷”的显耀式描摹、对“死”的冷眼式旁观,使美丑关系、贫富对比、生死超脱等在诗歌中有了真实深刻的表达。这些反讽式、反传统的非常态性叙写,既反映了当时的社会现实,也拓展了诗歌的表达内容,扩大了诗歌的审美意味。Wei and Jin Dynasties are the period full of struggle and scramble between Sima’s group and Cao’s group just for power and profit,and the political struggle promotes the transformation of thoughts,which also influences the creation of literature.During this period,the literary style of writing transforms into more diversified expressions besides the previous normal lyrical way by the influence of metaphysics.It reveals the real inner world with deviation and even reverse language to seek some kind of anti-traditional pleasure,which finally becomes a special and pioneering expression in this specific period.The complimentary lyrics of the ugly,the exaggerated expression of poverty,and the cruel onlookers of death,all of which constitutes a kind of unfeigned and profound expression in poetry with contrast of beauty and ugly,poverty and wealth and life and death.This kind of ironic and anti-traditional expression not only reflects the social reality at that time,but also enriches the content of poetry,and expands the meaning of aesthetic values of poetry.
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