2018/2019德语剧作评论与综述——兼论后戏剧时代文学危机  

An Overview of German Dramas and Criticism in 2018-2019:A Concurrent Discussion on the Literary Crisis in Post-dramatic Era

作　　者：陆佳媛 LU Jia-yuan(School of Foreign Languages,Jiangsu University of Technology,Changzhou 213001,China)

机构地区：[1]江苏理工学院外国语学院,江苏常州213001

出　　处：《美育学刊》2020年第5期87-94,共8页Journal of Aesthetic Education

摘　　要：自《汉堡剧评》诞生以来,剧评在德语国家便备受重视,不仅因其承担了舞台实践批判与理论探讨的责任,更是因其展现了戏剧发展的脉络,为后续戏剧研究与发展提供了珍贵的研究材料与坚实的理论基础。作为世界三大戏剧节之一的柏林戏剧节,每年都会选出十部德语区最值得关注的戏剧作品。用德国著名左翼戏剧评论家伊林的剧评观念来分析2018年至2019年甄选出的十部作品,从中可以思考:在“后戏剧”盛行的今天,德语戏剧究竟走向蓬勃还是衰落?对这一问题的探索对中国戏剧的发展亦有所启示。Since the birth of Hamburg Dramaturgy,dramatic criticism has won a high value in German-speaking countries.It not only undertakes the duty of practical criticism on stage and theoretical discussion,but also reveals the history of drama development,which provides precious research materials and solid theoretical basis for the subsequent dramatic research and development.As one of the three major drama festivals in the world,Berlin Drama Festival generally selects ten most noteworthy drama works in German-speaking areas every year.This paper aims to analyze ten works selected in 2018-2019 from the critical perspective of dramatic criticism of Herbert Ihering,a famous German left-wing drama critic.In this way,the paper is supposed to answer the question“Is German drama flourishing or declining in the post-dramatic theatre?”,which has some enlightenments to the development of Chinese drama.

关 键 词：剧评 德语戏剧 后戏剧剧场 

分 类 号：J83[艺术—戏剧戏曲]