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作 者:吴新林[1] WU Xin-lin(Taizhou University,Taizhou 225300,China)
机构地区:[1]泰州学院,泰州225300
出 处:《包装工程》2020年第18期178-182,共5页Packaging Engineering
摘 要:目的社会经济发展、技术应用创新、消费观念变迁等社会因素对可持续的生态设计构成了新的挑战,通过构筑“人—社会—自然”的生态设计方法,以进一步拓展生态设计的内涵与外延。方法在“人—社会—自然”的关系场中,以社会作为联系人与自然的重要纽带,整体观照人、社会、自然三要素,使设计不再局限于物用或消遣,而是更加关注社会问题和人的内心,使设计同时注重功能设计与人的情感归依。结论在凸显跨代设计理念的生态家具设计实践中,针对生命个体在不同发展阶段对产品功能与情感的动态需求,利用“人—社会—自然”生态系统设计方法,通过赋予家具在调和家庭情感关系方面的特定作用,实现了产品生命周期与人的生命周期高度契合,使家具既满足了日用功能,又彰显了功用之外的存在意义。Social factors such as social and economic development,technological application innovation and cost concept change pose new challenges to sustainable ecological design.This paper aims to further expand the connotation and extension of ecological design by building an ecological design method of“human-society-nature”.In the relational field of“human-society-nature”,the society was taken as an important link between human and nature,and the three elements of human,society and nature were considered as a whole,to make the design no longer be limited to material use or entertainment,but pay more attention to social issues and people’s feelings,make the design pay attention to both functional design and people’s emotional dependence.Aiming at the dynamic needs of life individuals for product functions and emotions in different stages of development,the ecological design practice of cross generation furniture used an system method of“human-society-nature”,it gives furniture a specific role in reconciling family emotional relations,ultimately realizes the high coincidence between product life cycle and human life cycle,and makes furniture not only satisfy daily functions but also reveal the existential significance beyond functions.
分 类 号:TB472[一般工业技术—工业设计]
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