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作 者:罗家湘[1] Luo Jiaxiang
机构地区:[1]郑州大学文学院,郑州450001
出 处:《中州学刊》2020年第8期145-152,共8页Academic Journal of Zhongzhou
基 金:国家社会科学基金重大项目“《诗经》与礼制研究”(16ZDA172)。
摘 要:《诗经》弃妇诗多表现被丈夫休弃、离开婆家女子的情感状态与生活内容,揭示了女性在婚姻中的被动和无辜,表现了弃妇自我边缘化的心理。在传统的吉、凶、军、宾、嘉五礼系统中,弃妇诗属于凶丧礼。其中所反映的“留车反马”“三不去”“大归”等,体现了古人在礼乐制度方面的设计。这些礼乐制度努力为弃妇回归家庭保留退路,把弃妇重新纳入社会秩序中,维护了尊重、怜悯、孝顺等家庭伦理道德。这种把弃妇问题放到家庭中来思考和解决的礼乐制度,为当事人保留体面,让参与者感受到社会温暖。Poems about abandoned wives in The Book of Songs mostly showed the emotional state and life content of women who were abandoned by their husbands and left their families in-laws,revealing the passiveness and innocence of women in marriage,and expressing the self-marginalized psychology of the abandoned wives.The poems about the abandoned wives belonged to the ominous funeral ceremony which was one of the traditional systems of five rites comprised of the auspicious,ominous,army,guest,and interpersonal relationships.The contents about"retaining the car and returning the horse",the"three not going",and the"great return"reflected the ancient people′s design of the ritual and music system that made great efforts to reserve a way for abandoned wives to return to their families and bring them back into the social order,maintaining the family ethics such as respect,compassion,and filial piety.This kind of ritual and music system,which put the issue of abandoned wives in families for reflection and solution,preserved decency for the people involved and made them feel the warmth of society.
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