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作 者:陈雪军[1] CHEN Xuejun(Guangxi Normal University,Guilin 541004,China)
出 处:《广西民族大学学报(哲学社会科学版)》2020年第4期93-99,共7页JOURNAL OF GUANGXI MINZU UNIVERSITY:PHILOSOPHY AND SOCIAL SCIENCE EDITION
基 金:广西研究生教育创新计划项目“古代接受理论及其当代价值研究”(项目编号:YCBZ2017032);国家社会科学基金重大项目(项目编号:18ZDA276)。
摘 要:龙马精神是中华民族精神的核心特质,这种精神特质既是中华民族集体无意识不断积淀的产物,又是中华民族传统文化不断建构和发展的结晶。由于马与龙精神特质的相似性,古代先民将马提升到龙的图腾崇拜高度,从而促成了文学中龙马形象的合一。以先秦文学经典《诗经》为载体,通过对西周尊马传统,以及《诗经》马类兴象的表现手法和审美意蕴进行分析,探讨古代龙马文化、马政文化的内涵以及中国马文化建构方式,认为"马"在中国古代人与动物关系中具有极其崇高的地位,对中华传统文化具有重要的建构意义,反映了中华民族的精神风貌和文化传统。The culture of dragon and horse is the core of the Chinese nation.This spiritual characteristics comes not only from the collective unconsciousness gradually accumulated among the Chinese nation,but also from the traditional Chinese culture during its continuous construction and development.Ancient Chinese raised horse to the height of dragon in totem worship because of the similarity between their spiritual quality,which facilitated the unified image of dragon and horse in literature.Base on The Book of Songs,the literary classics in Pre-Qin period,this paper analyzes the tradition of horse worship in the Western Zhou Dynasty,as well as the expression and aesthetic implication of horse images,and explores the connotation of dragon and horse culture as well as the horse administration.It is found that with an extremely lofty position in the relationship between human and animals in ancient China,horse plays an important role in the construction of traditional Chinese culture,which reflects the spirit and cultural tradition of the Chinese nation.
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