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作 者:马立明[1] MA Li-ming(College of Journalism and Communication, Jinan University, Guangzhou, Guangdong 510632, China)
机构地区:[1]暨南大学新闻与传播学院媒体国家实验教学示范中心,广东广州510632
出 处:《湘潭大学学报(哲学社会科学版)》2020年第5期177-182,共6页Journal of Xiangtan University:Philosophy And Social Sciences
摘 要:在spectacle一词的论述与使用中,在学术界存在着模糊地带:到底是沿用spectacle的使用者德波的“景观”概念,还是沿用凯尔纳的“奇观”概念。不同的理解导致了两种学术进路的出现,导致了概念混乱与认知偏差。在冷战结束的全球化时代中,建立于大众传播技术与美国文化研究的“奇观”概念由于贴近实际,一度更具解释力,它助推了现代主义传播理念及新闻专业主义的重构。但在社交媒体蓬勃发展的今天,面对“后真相”的挑战与全球民粹主义崛起带来的高度不确定性,又重新宣告着“景观”概念的回归。“后真相”成为关乎spectacle的终极追问,“德波—凯尔纳之辩”关系到“真相”是否存在。因此,这个问题有相当重要的学术意义,“真相”到底是否存在,或是它只是景观之一,关系到新闻的价值实现问题。In the debate over the use of the term"spectacle",there is a blurry area in academia.Whether to follow Debord's concept of"scenic spectacle",or to follow Kellner's concept of"wondrous spectacle"?Different understandings have led to the emergence of two academic approaches and the conceptual confusion as well as cognitive deviations.In the era of globalization after the ending of the cold war,Kellner's"wondrous spectacle",established on the basis of mass communication technology and American cultural studies,once had more explanatory power because it was close to reality,and helped to reconstruct the communication concept of modernism and journalistic professionalism.However,with the rapid development of social media,the challenge of"post-truth"and the high uncertainty brought by the rise of global populism proclaimed the return of Debord's"landscape spectacle".The"post-truth"constitutes the ultimate inquiry about the connotation of"spectacle".The debate between Debord and Kellner is concerned with whether"truth"is in existence or not.Therefore,does"truth"exist at all?Or is it only part of the landscape?This inquiry is of considerable academic importance since it has the potential to be the cornerstone of the rebuilding of journalism and is concerned with its value realization.
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