延安时期新歌剧的中国革命道德叙事研究  

On the Revolutionary Moral Narration of the New Opera in Yan’an Period

作　　者：于兰英 YU Lanying

机构地区：[1]湖南师范大学公共管理学院 [2]湖南工业大学,湖南长沙410081

出　　处：《湖南师范大学社会科学学报》2020年第5期20-28,共9页Journal of Social Science of Hunan Normal University

基　　金：国家社会科学基金项目“中国道德榜样叙事研究”(17BZX105);湖南省社会科学基金“基于传统民族音乐传播链的高校校园精神文化建设研究”(17YBA137)。

摘　　要：延安时期既是中国革命道德形成发展的重要时期,也是新歌剧发展的初始阶段。在特殊的时空环境中,二者形成了密切的互动。延安时期的革命道德不仅形成了较为完整的理论体系,而且也成为一种充分展示革命道德力量的实践路径,它为无数人自觉践行,因而成为新歌剧创作表演的重要素材。新歌剧通过"讲述"中国革命道德故事,有效地传播了中国革命道德精神,同时也实现了其自身艺术上的升华,留下了许多永远流传的经典艺术作品。Yan’an Period is not only a significant period for the formation and development of Chinese revolutionary morality,but also the initial stage for the development of new opera.In the special space-time environment,the Chinese revolutionary morality and the new opera have formed a close interaction.The revolutionary morality in Yan’an Period has not only formed a relatively complete theoretical system,but also has become a practical route to fully demonstrate the power of revolutionary morality.And it has been consciously practiced by countless people and thus has become an important material for the creation and performance of new opera.By telling the moral stories of the Chinese revolution,the new opera has effectively spread the spirit of Chinese revolutionary morality,and has also realized its own artistic sublimation,leaving many classic works of art that will be handed down forever.

关 键 词：延安时期 革命道德 新歌剧 道德叙事 

分 类 号：J822[艺术—戏剧戏曲] D231[政治法律—政治学]