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机构地区:[1]湖南科技学院中文系,湖南永州425199 [2]广东理工学院,广东肇庆526100
出 处:《社会科学》2020年第9期174-180,共7页Journal of Social Sciences
基 金:湖南省社会科学规划项目“谷崎润一郎与中国现代文学作家关系研究”(项目编号:18YBA183)的阶段性成果。
摘 要:中国现代社团作家通过吸收与效仿谷崎润一郎的文学观念与表现手法进行各自的文学创作,显示出对文学艺术本体和作家创作自由精神的高度重视,反拨了“文以载道”的传统文学观,以唯美的审美情趣与精美独特的艺术形式在一定程度上推进了中国现代文学的现代性发展,使之获取了一种别样的审美形态,既拓展了中国现代文学的审美空间与表现领域,又丰富了它的审美内涵。通过聚焦于中国现代作家在接受谷崎润一郎的过程中所表现出来的本土接受,展现他们海纳百川的胸襟与气度,揭示中国现代文学寻求个性解放、心灵自由的思想激情与精神品格,有效促进了中国现代文学发展历程中的现代性进程,体现了多元化的意义启示。By absorbing and imitating Taniaki Runichiro’s literary concepts and expression techniques,modern Chinese community writers have performed their respective literary creations,showing the high importance they attach to the literary and artistic ontology and the writer’s creative freedom spirit,countering the“literature to carry the way”The traditional literary view promotes the development of modernity of modern Chinese literature to a certain extent with beautiful aesthetic appeal and exquisite and unique art forms,so that it acquires a different aesthetic form,which expands the aesthetic space of modern Chinese literature And the field of expression has enriched its aesthetic connotation.By focusing on the local acceptance of modern Chinese writers in the process of accepting Taniaki Runichiro,showing their broad-mindedness and dignity,revealing the ideological passion and spiritual character of modern Chinese literature seeking personal liberation and spiritual freedom,effectively promoting China The process of modernity in the development of modern literature embodies the significance of diversification.
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