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作 者:郭君健[1] GUO Jun-jian
机构地区:[1]许昌学院,河南许昌461000
出 处:《青海民族研究》2020年第2期69-75,共7页Qinghai Journal of Ethnology
基 金:2018年度河南省科技计划项目重点研发与推广专项“钧官窑茶器的数字化再现设计与应用研究”(批准号:182102310933);河南省教育科学“十三五”规划课题“河南高校创意设计类成果转化机制研究”(批准号:2018-JKGHYB-0262)阶段性成果。
摘 要:中原历史名窑是指唐宋以来在中原地区出现的著名窑口,瓷种丰富,其艺术所承载的文化内涵超过它自身的实用功能,随着科技的发展,传统制瓷工艺和造物理念被现代工业化生产所抛弃,文章以文化传承视角对中原历史名窑在制瓷过程的烧制技艺进行剖析,梳理陶瓷造物过程中工匠所体现的造物思想。探讨陶瓷工匠在文化传承视角下的生存与发展现状,以点带面,进而对名窑陶瓷烧制技艺的传承与保护提出一些建议和实施路径研究。The famous historical kilns in the Central Plains refer to these famous kilns that have emerged in the Central Plains since the Tang and Song dynasties.With a rich variety of porcelain,the cultural connotation of the kilns surpasses its own practical function.With the development of science and technology,the traditional porcelain-making technology and the thought of creation are discarded by modern industrial production.From the perspective of cultural inheritance,this paper analyzes the firing technique of the famous historical kilns in the Central Plains and sorts out the thought of creation embodied by craftsmen in the process of ceramic creation.By discussing the current situation of protecting ceramic craftsmen from the perspective of cultural heritage,this paper adopts the"point to area"method and then proposes some suggestions and makes some research on the implementation path so as to inherit and protect the ceramic firing technique of famous kilns.
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