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作 者:赵郁飞 ZHAO Yufei(College of Liberal Arts,Jilin university,Changchun,Jilin 130012,China)
出 处:《吉林师范大学学报(人文社会科学版)》2020年第5期71-79,共9页Journal Of Jilin Normal University:Humanities & Social Science Edition
基 金:吉林省社会科学基金项目(2019c88)。
摘 要:无论从地缘、时代抑或艺术特质等维度着眼,香港、台湾及海外女性词都是近百年词史的有机组成部分。此一时空断限下的女性词,大致可划分为由张纫诗、潘思敏等领衔的香港词场,以琦君、张荃等为代表的台湾词界,以及包括李祁、张充和等在内的海外词坛。此中词家面目各具,佳作琳琅,组构成不容轻忽的创作阵营。而其间结社、唱酬等文学活动,也因女性词人的参与,焕发出古之未有的异色。Whether from the perspective of geography,times or artistic characteristics,the female’s Ci poetry of Hong Kong,Taiwan and overseas countries are all organic parts of the history of Ci poetry in the past 100 years.Female’s Ci poetry in this time and space can be roughly divided into Hong Kong Ci poetry field led by Zhang Renshi and Pan Simin,Taiwan Ci poetry field led by Qijun and others,and overseas countries poetry field including Li Qi,Zhang Chonghe and so on.The number of the poets in these places can not be compared with that of China's Mainland,however,it also has its own features and a wide range of excellent works,forming a creative camp that can not be ignored.Meanwhile,the literary activities such as association and echoing also radiated a new color because of the participation of female Ci poets.
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