宅门纳福神祇画探析--以天长天官画和灵璧钟馗画为例  

Analysis of Deity Paintings for Summoning Good Fortune in Residences:Taking Tianguan Paintings in Tianchang and Zhongkui Paintings in Lingbi as Examples

作　　者：司丽丽[1] SI Lili(Department of Art,Chuzhou City Vocational College,Chuzhou 239000,China)

机构地区：[1]滁州城市职业学院艺术系,安徽滁州239000

出　　处：《宿州学院学报》2020年第9期62-66,70,共6页Journal of Suzhou University

基　　金：教育部人文社会科学研究一般项目(18YJA760021);滁州城市职业学院人文重点项目(2019SK03)。

摘　　要：神祇画是我国历史上礼制文化的体现,也是我国传统艺术的瑰宝,通过研读相关文献,对神祇画进行探析,对神祇画的定义、历史作用、风格特征、图像特征、制作工艺进行归纳总结。同时,通过品鉴天长天官画、灵璧钟馗画等神祇画作品,发现神祇画以功能多样性、发展变通性、思想寄寓性和文化多样性为主要风格,形成了题材内容丰富、呈现方式多样、构图结构严谨的图像特征。通过对神祇画的图像风格特征的归纳总结,便于后人从神祇画中汲取有益的艺术滋养。Deity paintings are not only the embodiment of ritual culture in Chinese history,but also the treasure of traditional Chinese art.By studying relevant literature,this paper makes an analysis of deity paintings,and summarizes its definition,historical function,style and image characteristics and production technology.At the same time,through the appreciation of a large number of works of deity paintings,it is found that the main styles of deity paintings are the diversity of functions,the flexibility of development,the idea sharing and the cultural diversity,which form the image characteristics of rich subject and content,diverse presentation forms and rigorous composition structure,and innovatively summarize the image characteristics of deity paintings.It is convenient for later generations to draw beneficial artistic nourishment from deity paintings.

关 键 词：宅门纳福 神祇画 风格特征 题材内容 呈现形式 工艺特色 

分 类 号：J528[艺术—艺术设计]