用绘画语言进行灵魂的剖析——论裘沙、王伟君的《阿Q正传二百图》  

Analysis of the Soul Carried Out in the Language of Painting ——On Qiu Sha and Wang Weijun’s 200 Pictures of the True Story of Ah Q

作　　者：杨剑龙[1] Yang Jianlong(School of Humanities,Shanghai Normal University,Shanghai,200234)

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《山东师范大学学报（社会科学版）》2020年第4期1-11,共11页Journal of Shandong Normal University(Social Sciences)

基　　金：作者主持研究的国家社科基金重大项目“中国现代文学图像文献整理与研究”(16ZDA188)的阶段性成果。

摘　　要：裘沙、王伟君夫妇的《阿Q正传二百图》从生活中寻找素材,从研读中把握精神,从艺术中创造形象,以对鲁迅小说的理解精心地为小说人物造型。他们以炭笔素描展现雇农阿Q悲哀的人生,在光与影的映照中呈现连环画的沉郁风格,在夸张变形中凸显阿Q被欺凌的生活窘态,在同情怜悯中绘出阿Q的苦难和不幸,在沉思和反省中展露阿Q精神胜利法的弊端。对蒙克、珂勒惠支、杜米埃等西方艺术大师技法的吸收,对陈洪绶、陶元庆以及我国民间美术的借鉴,使该作品成为鲁迅小说《阿Q正传》图像阐释的世纪压轴之作。For their 200 Pictures of the True Story of Ah Q, the couple, Qiu Sha and Wang Weijun, sought materials from life, grasped the spirit from studying, and created images from art. They elaborately shaped the characters of Lu Xun’s novel The True Story of Ah Q through their interpretation and understanding. Their charcoal sketches show the sad life of the hired farmhand named Ah Q, present the strong gloomy style in light and shadow, highlight the bullied life of Ah Q in exaggeration and distortion, draw out the suffering and misfortune of Ah Q with sympathy and compassion, and reveal the disadvantages of Ah Q’s method of spiritual victory in meditation and introspection. Their absorption of the techniques of great masters such as Edvard Munch, Kathe Koilwjtz, and Honoré Daumie and their reference to Chen Hongshou, Tao Yuanqing and Chinese folk art made their work the grand finale of the century in the interpretation of the image of Lu Xun’s The True Story of Ah Q.

关 键 词：裘沙 王伟君 阿Q 炭笔素描 图像阐释 《阿Q正传二百图》 

分 类 号：J224[艺术—美术]