论池莉小说中的女性意识——以《来来往往》《生活秀》为例  

On the Female Consciousness in Chi Li's Novels——Take"Comings and Goings"and"Life Show"as Examples

作　　者：秦莹 QING Ying(Shaanxi Normal University,Xi'an 710062,China)

机构地区：[1]陕西师范大学文学院,西安710062

出　　处：《齐齐哈尔师范高等专科学校学报》2020年第4期39-41,共3页Journal of Qiqihar Junior Teachers College

摘　　要：1990年代后期,池莉作品中所体现的女性意识不断增强,体现出新的历史时期一种独创性的思维形式和写作走向,象征着五四以来女性意识发展的新境界。本文简要叙述了池莉从中性姿态书写到女性姿态书写的转变,而后从《来来往往》、《生活秀》两部作品入手,分析作品中的一系列女性形象,试图探索在两性角色对抗过程中所体现的女性意识,进而剖析女性意识对作者创作产生的影响,以期能够更加深入地理解池莉的作品。In the late 1990s,the female consciousness embodied in Chi Li's works continued to increase,reflecting an original thinking form and writing trend in the new historical period,symbolizing the new realm of female consciousness development since the May 4th Movement.This article briefly describes Chi Li's transition from neutral posture writing to female posture writing,and then starts with the two works of"Comings and Goings"and"Life Show",analyzes a series of female images in the work,and attempts to explore the process of confrontation between the gender roles and then analyze the influence of female consciousness on the author's creation in order to be able to understand Chi Li's works more deeply.

关 键 词：池莉 女性文学 女性意识 

分 类 号：I207.4[文学—中国文学]