呈示中的“展开性变奏”——勋伯格发现和发扬的一种勃拉姆斯主题法  

Developing Variation in Theme Presentation:A Brahms Theme Method Discovered and Promoted by Schoenberg

作　　者：刘畅[1,2] Liu Chang

机构地区：[1]中央音乐学院作曲系,北京100031 [2]内蒙古民族大学音乐学院

出　　处：《黄钟（武汉音乐学院学报）》2020年第2期119-129,167,共12页Huangzhong:Journal of Wuhan Conservatory of Music

基　　金：内蒙古民族大学科学研究项目《勃拉姆斯音乐创作中的“展开性变奏”研究》(项目批准号:NMDYB17130)阶段性成果。

摘　　要：由勋伯格提出的“展开性变奏”(developing variation)这一概念虽已得到西方学者们的广泛关注并用于学术研究,在我国也知之甚久,但目前国内对这一概念的认知和理解仍有不足。为此,文章以勋伯格的分析为切入点,通过比较他在分析贝多芬和勃拉姆斯音乐主题时关注点的异同,来还原勋伯格所提出的“展开性变奏”这一概念,并由此观察贝多芬、勃拉姆斯、勋伯格这三位有着一脉相承关系的德奥体系作曲家,在音高逻辑思维上从调性走向无调性的嬗变过程。The concept of developing variation,which was proposed by Schoenberg,has received widespread attention from western scholars and employed in academic research,and has been introduced to China for a long time,but the current domestic understanding of the concept is still insufficient.Therefore,this article takes Schoenberg’s analysis as the starting point and illustrates the concept by comparing his main focuses in analysis of the themes of Beethoven and Brahms,from which to observe the evolution from tonality to atonality in pitch logical thought of Beethoven,Brahms and Schoenberg,three German-Austrian composers in an inherited relationship.

关 键 词：展开性变奏 勋伯格 勃拉姆斯 主题呈示 音程思维 

分 类 号：J614[艺术—音乐]