论《聊斋志异》的温情叙事:以《夜叉国》为中心  

On the“Warm Narration”of“Strange Stories from A Chinese Studio”:Taking“The Kingdom of Yasha”as a Central Story

作　　者：倪浓水 NI Nong-shui(School of Humanities and Teachers Education,Zhejiang Ocean University,Zhoushan 316000,China)

机构地区：[1]浙江海洋大学人文学院,浙江舟山316000

出　　处：《蒲松龄研究》2020年第3期159-168,247,共11页Study on Pu Songling

基　　金：国家社科基金后期资助项目《中国古代海洋文学史》(项目编号:19FZWB022)的阶段性研究成果。

摘　　要：本文以《夜叉国》为中心,考察蒲松龄《聊斋志异》中温情叙事的文学美质。本文认为《夜叉国》中的温情叙事,体现为作品所包含的温情和这种温情是如何在作品中得到展示这样两个维度。前者为“温情性内容”,后者为“温情化叙述”。在《夜叉国》中,这两方面是紧密结合的。而通过对文本“本事”的溯源追索和改写的追踪比较,则进一步证实了《夜叉国》“温情叙事”的文学美质。Focusing on“The Kingdom of Yasha”,this paper studies the nature of literary beauty of“warm narration”in Pu Songling's“Strange Stories from A Chinese Studio”.This narration method shows in two ways,one is the tender feeling contained in this story and the other way is how the tender feeling shown in it.The former is called“warm content”and the latter one is named“warm narration”.They are closely linked.By tracing the source of the“ability”of this paper and comparing the rewriting,it further confirms the literary essence beauty of the“warm narration”in“The Kingdom of Yasha”

关 键 词：蒲松龄 夜叉国 温情叙事 

分 类 号：I207.41[文学—中国文学]