日本影视的非现实手法与中国古代文言小说的关系及启示——兼谈电影《妖猫传》  

The relationship between the unrealistic techniques of Japanese film and television and ancient Chinese novels and Its Enlightenment——Also on the film“the legend of the demon cat”

作　　者：陈国学 CHEN Guo-xue(School of literature and media,Yunnan Minzu University,Kunming 650500,China)

机构地区：[1]云南民族大学文学与传媒学院,云南昆明650500

出　　处：《蒲松龄研究》2020年第3期360-367,共8页Study on Pu Songling

摘　　要：日本影视中非现实主义的手法非常丰富,例如人物灵魂的交换、跨越阴阳两界、几人同梦、精灵的出现等。这些都可以在中国古代文言小说、尤其是《聊斋志异》中找到根源。2017年根据日本人的小说改编、并在中国上映的《妖猫传》很受好评,这与中国古代文学中唐玄宗与杨贵妃的爱情题材系列戏曲和文言小说有深刻联系,由此可见中国古代文言小说依旧可以在当代影视剧中大放异彩,前提是解放思想。There are many non realistic techniques in Japanese films and TV programs,such as the exchange of characters'souls,crossing the two realms of yin and Yang,several people having the same dream,and the appearance of elves.These can be found in the ancient Chinese novels,especially in Liaozhai Zhiyi.The legend of the demon cat,which was adapted from Japanese novels and released in China in 2017,is highly praised.This is deeply related to the series of dramas and classical Chinese novels about the love theme between Emperor Xuanzong and Yang Guifei in ancient Chinese literature.It can be seen that ancient Chinese novels can still shine brilliantly in contemporary films and TV plays,with the premise of emancipating the mind.

关 键 词：日本影视 非现实手法 聊斋志异 

分 类 号：I207.35[文学—中国文学]