《浮生》的叙事伦理  

Narrative Ethics in Half a Life

作　　者：朱经苹[1] ZHU Jing-ping(School of Foreign Languages,Nanchang Hangkong University,Nanchang 330063,China)

机构地区：[1]南昌航空大学外国语学院,南昌330063

出　　处：《南昌航空大学学报（社会科学版）》2020年第2期76-83,共8页Journal of Nanchang Hangkong University(Social Sciences)

摘　　要：经典叙事学只注重叙事作品形式的研究,完全割裂了文本与语境或读者等各种因素的联系。叙事伦理学结合叙事学与伦理学的各自优势,不但注重文本内容与意识形态的关系,而且更重视叙述形式与意识形态的互动关系。研究主要从故事伦理和叙述伦理这两个角度研究维•苏•奈保尔的《浮生》中的叙事伦理。故事伦理包括种姓伦理、种族伦理和婚姻伦理;叙述伦理主要包括人称机制、叙述者干预以及叙述结构三者与伦理态度的互动关系。Classical narratology which completely separates the relationship between the text and the context or readers only pays attention to the research of the form of narrative works.Combining the respective advantages of narratology and ethics,narrative ethics not only pays attention to the relationship between text content and ideology,but also focuses more on the interactive relationship between narrative form and ideology.This paper mainly explores the narrative ethics in Naipaul’s Half a Life from the perspectives of story ethics and narrative ethics.The story ethics includes the caste ethics,the racial ethics and the marriage ethics,while the narrative ethics mainly covers the interaction between the ethical attitude and the three items:the personal mechanism,the narrator intervention and the narrative structure.

关 键 词：《浮生》 故事伦理 叙述伦理 

分 类 号：I206[文学—中国文学]